At the dawn of the 16th century Mannerism was gaining in popularity. Even noted Renaissance painters like Raphael began to mirror the style, but it was the Sienese painter Giovanni Antonio Bazzi who would push the mannerist vision even further.
Paris Bordone studied for a time under Titian, the greatest Venetian artist of the 16th century. Although forced to leave this great master’s studio, Bordone went on to excel in portraiture, large-scale architectural settings, and cabinet paintings.
This elegant tondo illustrates the interesting “detective” work that is sometimes involved in attributing a work of art to a particular artist.
Not everyone who can hew a block of wood is able to carve an image; nor is everyone who can carve it able to outline and polish it; nor is he that can polish it able to paint it. (St. John of the Cross). This 18th-century figure highlights one unknown sculptor’s mastery of all three skills.
Edwin Long is one of several 19th-century English painters who traveled to the middle east. In this work we see colors, textures, and designs derived from these memorable journeys.
In this segment, Bob Jones, Jr. shares the story behind what almost happened to this beautiful Tiffany mosaic.
M & G at BOB JONES UNIVERSITY; 1700 Wade Hampton Blvd - Greenville, SC 29614
