The refinement of High Renaissance art motivated mannerist painters like Francesco Cavazzoni to explore other avenues of expression. Legend of the Finding of the True Cross provides an intriguing example.
Giovanni Filippo Criscuolo’s The Last Judgment provides a fascinating study not only for its religious iconography but also for its theological and literary allusions.
The Last Supper was a common subject among 16th-century artists; however, the intriguing iconography in Stefano Cernotto’s rendering displays an inventiveness that is unique.
The historical and iconographic details in this early Spanish painting by Jaun de Flandes make it one of M&G’s most intriguing works.
A child prodigy, the young Anthony van Dyck was already producing masterful portraits by the age of 14. While the influence of Rubens and Titian are apparent, van Dyck developed an individual style, more refined and sensitive than his teacher’s.
In this triptych the artist beautifully pictures several of the most familiar Christmas story events.
Jan Gossaert, called Mabuse, was one of the first Netherlandish painters to integrate an Italian and Northern style. His beautiful Madonna of the Fireplace in one stunning example of his skill.
M&G at BOB JONES UNIVERSITY; 1700 Wade Hampton Blvd - Greenville, SC 29614
