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Tag Archives: 1400s

Bronze Pitcher

Bronze Pitcher

Belgian, 14th or 15th century

Below the image, click play to listen.

 

Jacopo de Carolis

Madonna and Child with Angels

Jacopo de Carolis

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Picture Books of the Past: Lorenzo di Bicci

Enjoy this series of segments highlighting Picture Books of the Past: Reading Old Master Paintings, a loan exhibition of 60+ works from the M&G collection. The exhibit has traveled to The Museum of the Bible in Washington, D.C. and the Orlando Museum of Art in Florida.

These beautiful panels by Lorenzo di Bicci picture four saints, two are prominent biblical figures and two are from 4th and 6th century church legends. (Following your video viewing click HERE to access the additional information provided on the exhibition’s text panels.)

The Entry into Jerusalem

The Entry into Jerusalem

Signed, “the hand of Theophrastos”

Below the image, click play to listen.

Psuedo Pier Francesco Fiorentino

Madonna and Child with St. John and an Angel

Psuedo Pier Francesco Fiorentino

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Madonna and Child with Saints: Niccolò di Pietro Gerini

In this polyptych (or multi-paneled altarpiece) Gerini not only highlights the Madonna and Christ Child, but also explores the life of Mary Magdalene in his predella.

Antonio Checchi (called Guidaccio da Imola): The Coronation of the Virgin

This is the only signed picture by this early Italian master. It also includes 55 faces!

 

The High Renaissance: Leonardo da Vinci

If Raphael’s paintings reflect the philosophic concepts and artistic tastes that shaped the time, Leonardo’s life and work highlight technical innovations that would take western art to a whole new level.

Jan Gossaert, called Mabuse (attr. to)

Madonna of the Fireplace

Jan Gossaert, called Mabuse (attr. to)

Below the image, click play to listen.

Jan Gossaert: The Madonna of the Fireplace

Jan Gossaert, called Mabuse, was one of the first Netherlandish painters to integrate an Italian and Northern style. His beautiful Madonna of the Fireplace in one stunning example of his skill.