At the dawn of the 16th century Mannerism was gaining in popularity. Even noted Renaissance painters like Raphael began to mirror the style, but it was the Sienese painter Giovanni Antonio Bazzi who would push the mannerist vision even further.
Paris Bordone studied for a time under Titian, the greatest Venetian artist of the 16th century. Although forced to leave this great master’s studio, Bordone went on to excel in portraiture, large-scale architectural settings, and cabinet paintings.
This elegant tondo illustrates the interesting “detective” work that is sometimes involved in attributing a work of art to a particular artist.
The Della Robbia family is famous—for their secret artistic recipe. Watch to learn more about a pair of sculpture and this family of artists represented in M&G’s collection.
The European furniture in the Museum & Gallery collection has been called the finest in America by Joseph Aronson, author of The Encyclopedia of Furniture. This beautiful Italian cassone is a good example.
The refinement of High Renaissance art motivated mannerist painters like Francesco Cavazzoni to explore other avenues of expression. Legend of the Finding of the True Cross provides an intriguing example.
Giovanni Filippo Criscuolo’s The Last Judgment provides a fascinating study not only for its religious iconography but also for its theological and literary allusions.
The Last Supper was a common subject among 16th-century artists; however, the intriguing iconography in Stefano Cernotto’s rendering displays an inventiveness that is unique.
Marietta Robusti’s Allegory of Wisdom is an excellent example of how Renaissance artists used both Christian and mythological iconography to explore a theme.
M&G at BOB JONES UNIVERSITY; 1700 Wade Hampton Blvd - Greenville, SC 29614
