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Tag Archives: Renaissance art

Picture Books of the Past: Unknown Follower of Paolo Caliari, called Paolo Veronese

Enjoy this series of segments highlighting Picture Books of the Past: Reading Old Master Paintings, a loan exhibition of 60+ works from the M&G collection. The exhibit has traveled to The Museum of the Bible in Washington, D. C. and the Orlando Museum of Art in Florida.

This work introduces one of Jesus’s most devoted followers, Mary Magdalene. Notice that her clothing is of silk and velvet, the rich fabrics of a prosperous woman. However, this imagery of prosperity is offset by the murky background and the presence of a skull. Her body position (which turns her away from death’s symbol) and her long, flowing hair (reminiscent of her repentance) shifts the narrative mood from one of despair to hope.

Giuseppe Arcimboldo

Vertumnus

Giuseppe Arcimboldo

Below the image, click play to listen.

Whatsoever Things Are… Worthy of Praise: God the Father

In this compelling composition Cristoforo Scacco uses traditional iconography to highlight God the Father’s creativity and sovereignty.

Whatsoever Things Are… Just: St. Michael the Archangel and St. Agnes

 

In this rare painting by the artist, Colijn de Coter creates an exquisite, powerful image to highlight the wonder of the gospel.

 

Visit HERE for the next video to consider what is Just, referencing Christ’s life.

Whatsoever Things Are… Honorable: The Good Samaritan

While the lives of real people are incredibly inspiring, so are stories with a poignant purpose, like this well-known parable.

 

Visit HERE for the next video to consider what is Just.

Antonio Checchi (called Guidaccio da Imola): The Coronation of the Virgin

This is the only signed picture by this early Italian master. It also includes 55 faces!

 

Jacopo Robusti (called Il Tintoretto): The Visit of the Queen of Sheba to Solomon

Following Titian’s death in 1576, Tintoretto became the leading artist in Venice.

Giovanni Antonio Bazzi: Procession to Calvary

At the dawn of the 16th century Mannerism was gaining in popularity. Even noted Renaissance painters like Raphael began to mirror the style, but it was the Sienese painter Giovanni Antonio Bazzi who would push the mannerist vision even further.

Christ the Redeemer: Paris Bordone

Paris Bordone studied for a time under Titian, the greatest Venetian artist of the 16th century. Although forced to leave this great master’s studio, Bordone went on to excel in portraiture, large-scale architectural settings, and cabinet paintings.

Madonna and Child: Master of the Greenville Tondo

This elegant tondo illustrates the interesting “detective” work that is sometimes involved in attributing a work of art to a particular artist.