Baroque Spanish artist Francisco Collantes relies on his considerable skill as a landscape painter to enhance the storytelling power of this Biblical narrative from Genesis 37.
This depiction of St. John the Evangelist by the Master of Cueza provides an intriguing look at various accoutrements used by medieval scribes.
Roughly the same size, these beautifully rendered panels painted by Pietro Negroni most likely came from an altarpiece in a convent church in the Calabrian city of Cosenza.
Not everyone who can hew a block of wood is able to carve an image; nor is everyone who can carve it able to outline and polish it; nor is he that can polish it able to paint it. (St. John of the Cross). This 18th-century figure highlights one unknown sculptor’s mastery of all three skills.