Art is a record of ideas and messages from the past, reflecting its own time and culture. Sometimes art’s culture is foreign to our own experiences and understanding today, which requires a translation in order for us to grasp the meaning of its intent and the significance in its time. Listen and learn about works of art and their context from M&G’s collection and others—it’s an opportunity to view the world beyond your twenty-first-century perspective and experience.
For students of ALL ages: click and print the coloring sheet, then find inspiration in the Old Master’s original to create your own version! Share your work with others on social media and tag the Museum & Gallery!
For a printable coloring sheet click HERE.
For a printable coloring sheet click HERE.
For a printable coloring sheet click HERE.
For a printable coloring sheet click HERE.
For a printable coloring sheet click HERE.
Due to COVID-19, our regular routines and social interactions have been disrupted. However, in the face of change and the unknown, what our minds dwell on becomes critical. While beauty has always mattered in our lives, perhaps it shows itself all the more valuable and significant in a crisis. Pause to reflect on a few, beautiful images and ideas represented in M&G’s Collection—things worthy of our thinking.
Gazelle skin and wood
Parchment on olive wood with ivory crown
The Jewish Bible, known as the Tanakh, is divided into three parts: the Law (Torah), the Prophets, and the Writings. The Writings are also in three divisions: poetry, history, and the Megillot. Synagogue worship during the five annual Jewish holidays often include reading of one of the five, short Megillot scrolls. M&G’s collection of antiquities includes two Megillot scrolls: Esther and Ruth. They are the only biblical books named for females, and both tell dramatic narratives of their heroines.
Esther, a young Jewish woman, becomes the queen of Persia when King Xerxes (or Ahasuerus) chooses her as his bride. Mordecai, Esther’s cousin and guardian, has offended the king’s chief advisor, Haman, by not bowing to him. This public insult provokes Haman to plot the annihilation of the Jewish people in Persia. When Mordecai learns of Haman’s plan, he urges Esther to use her position to save her people.
Initially Esther is reluctant. By decree, anyone entering the king’s presence without being summoned is to be put to death. Her approaching Xerxes could be fatal. Eventually she is persuaded as Mordecai says: “Who knows but that you have come to the kingdom for such a time as this?” (Esther 4:14).
After three days of prayer and fasting, Esther approaches the King. He extends his golden scepter to her, sparing her life, and tells her that her petition will be granted. She invites the King and Haman to a series of banquets. At the second banquet the king repeats his offer to grant Esther’s petition. She reveals that she is a Jew and tells of Haman’s plan to kill all the Jews in Persia. The enraged king orders Haman’s execution, and it is carried out on the gallows he had prepared for Mordecai. The King then promotes Mordecai to Haman’s position.
The Book of Esther teaches that Divine intervention often occurs in unexpected ways. The story highlights the themes of courage, faith, justice, the reversal of evil, and the importance of standing up for one’s faith in God, even in times of peril.
After Mordecai’s promotion he writes to all the Persian Jews that they should annually “make them days of feasting and joy, and of sending portions one to another, and gifts to the poor” (Esther 9:22). Today the Jewish festival of Purim celebrates this deliverance of the Jews by chanting or reading aloud the Book of Esther as part of synagogue worship. M&G’s Esther scroll is just over 11 ft long, and depending on one’s pace, can take 60–90 minutes to read. During the reading many congregations participate by reciting certain verses and by using wooden noise makers (gragers) to blot out Haman’s name. Purim’s traditional celebratory meal, exchanging gifts of food, and contributions to the poor are based on Mordecai’s instructions.
Famine causes Elimelech, his wife Naomi, and their two sons to leave Israel and live among idol-worshipers in the land of Moab. While there, the sons marry Moabite women. Eventually Elimelech and his sons die. Naomi, a grieving and bitter widow, decides to return to Bethlehem and instructs her daughters-in-law to return to their families. One does. Ruth, however, says “Intreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God” (Ruth 1:16).
In Bethlehem, Ruth gleans in the fields of Boaz, a wealthy relative of Naomi’s late husband. Impressed by Ruth’s kindness to Naomi, Boaz insures she is protected while gathering barley in his fields. Seeing an opportunity, Naomi encourages Ruth to ask Boaz to redeem her, a legal condition that would wed her to Boaz and restore Naomi’s family property. Moved by Ruth’s character, Boaz is inclined to accept but recognizes that a closer relative has the right of redemption. When that kinsman declines to redeem her, Boaz marries Ruth.
The theme of redemption and the virtues of loyalty and faithfulness permeate the Book of Ruth. The universality of God’s providence is also demonstrated. Ruth and Boaz’s son, Obed, is the grandfather of the Jewish King David, which places Ruth, a converted Moabite, in the lineage of the Messiah.
Today many Jewish communities read the Book of Ruth during Shavuot, the two-day holiday that commemorates God giving Moses the Ten Commandments. Shavuot is celebrated during the time of harvest, which parallels the time of Ruth’s gathering barley. Ruth’s acceptance of the Jewish faith parallels the Jewish people accepting the Law delivered to them on Mount Sinai.
To be read in synagogue worship, a scroll must be sefer (ritually clean), meeting a lengthy list of conditions. It must be handwritten by a qualified sofer, using a quill of a kosher bird (or other permitted instrument) with kosher ink, on parchment made of a kosher animal hide. M&G’s Esther scroll, for example, is written on gazelle skin.
Sefer scrolls may not have calligraphic flourishes, illuminations or illustrations. Such additions could distract the reader from thinking about the message of the text. Some Jewish groups, however, permit Megillot scrolls to be embellished. Sefer Esther scrolls have been illuminated with decorative borders and portraits of its characters for centuries. In some Jewish communities a modern scroll of Esther may have colorful, printed scenes of the story between handwritten panels of the Hebrew text. Both M&G’s Esther and Ruth scrolls lack calligraphic or other embellishments. They were probably commissioned for use in strict Jewish congregations.
While groups may differ regarding embellishments of the scroll, its protective coverings (a cloth mantle or a cylindrical box) and the wood dowel on which the scroll is rolled can be ornate. Costly embellishment of the non-textual parts of a scroll reflects a desire to recognize the scroll’s significance and the means of the individual or group commissioning the scroll. M&G’s Ruth scroll is mounted on an olive wood shaft with a carved ivory crown. The scroll is 8.5 ft long and could be read or chanted in about 30 minutes.
William Pinkston, Retired Educator and M&G Volunteer
Published 2025
Old Master paintings can be overwhelming sometimes with their detailed beauty, serious palette, and historical roots. But they don’t have to be, which is why M&G created the EXPLORE pages—a diversion on our website to unfold some of the mystery and meaning in the art of the past. Watch, listen, read, and color your way through the world of Old Masters!
Click on the links below to investigate for yourself:
Unknown Flemish, 15th century
Below the image, click play to listen.
M&G at BOB JONES UNIVERSITY; 1700 Wade Hampton Blvd - Greenville, SC 29614
