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Tag Archives: old master

Pietro Martire Neri: St. Jerome

Although little is known about the Italian artist Pietro Martire Neri, this portrait illustrates his stunning mastery of beautiful coloration and intricate stylistic detail.

The Young Christ

The Young Christ

Giovanni Battista Salvi, called Il Sassoferrato

Below the image, click play to listen.

 

Object of the Month: September 2023

Mother of Sorrows (Mater Dolorosa)

Oil on panel

Anthony van Dyck

Flemish, 1599–1641

Baroque art is characterized by its emotional pull. Sotheby’s defines the typical qualities of Baroque art as works with rich colors, strong contrast, luscious brushwork, and subject matter that provokes passion, awe, and reverence. This expressive art movement stemmed from a religious response in the seventeenth century called the Counter-Reformation. Art mimicked life in the emotional appeal for mankind’s souls; Biblical stories were taken beyond quiet, respectful meditation and became captured “moments” of heightened drama. Still, there are a handful of Baroque works in existence that balance this emotion with restrained contemplation. One of which is the Museum & Gallery’s Mother of Sorrows by Antony van Dyck.

Anthony van Dyck (1599-1641) is considered one of the great Flemish painters of the seventeenth century. A child prodigy, van Dyck became connected with another great Flemish artist, Peter Paul Rubens, and worked alongside the master on many important commissions. Van Dyck became known for his portraits, and his talent opened doors for him in many courts of Europe. With an extensive and prestigious curriculum vitae painting clients in all their luxury and refinement, van Dyck’s Mother of Sorrows is a unique contrast.

The Mother of Sorrows or Mater Dolorosa depicts Mary grieving her dead Son. It was developed from the theme of the Virgin of the Seven Sorrows, which showed each anguish she experienced after the birth of Christ. In the sixteenth century, Mary’s mourning was usually represented alongside Christ, the Man of Sorrows. However, by the late sixteenth and seventeenth centuries in Northern Europe, artists began depicting Mary alone against an undefined background to highlight the emotion of a bereaved mother. When this work was created circa 1625-1630, van Dyck had spent time in Italy and created many historic and religious works focused on main characters in their own narrative. Unlike Rubens, van Dyck did not clutter the canvas with various other characters or subject matter, instead focusing on the psychology of the main subject.

In M&G’s Mother of Sorrows, van Dyck explores the emotion of one of the world’s most famous mothers. Mary, the mother of Jesus Christ, stands alone against a dark background. The contrast is so great she seems to glow under the intense chiaroscuro. The rich blue fabric softens the stark white veil, but also stands as a symbolic reminder of Mary’s virginity and status as the mother of the King of Kings. While not overwhelming in emotion compared to other contemporary interpretations, one can tell she is hurting. She leans forward with arms raised as if pleading. There is pentimenti, or earlier painting that has been covered over by the artist. Just under Mary’s outstretched hand is a faint remnant of a previously lower hand positioning. Art historians such as Gustav Gluck and Ludwig Burchard both agree this was created by van Dyck. It is believed that van Dyck did not spend more than one hour on each portrait. This leads the viewer to wonder why the artist adjusted the hand’s placement. Perhaps a lowered hand did not express the right amount of grief. Or perhaps a more uplifted hand shows Mary’s reliance on God in her darkest hour.

This work may not hold the same prestige as other van Dyck paintings. In fact, until 1864, it had been rather unknown since it was relatively inaccessible in a collection in St. Petersburg, Russia. However, it is a beautiful and rare work in van Dyck’s oeuvre. Gluck and Burchard applauded van Dyck’s color (which was heavily influenced by his time in Venice), his hand forms, and his portrayal of deep emotion. Gluck wrote, “the expression of the grieving face—a depth of feeling which is rare to the master’s work,” is a testament to how unique this painting is for its time. Viewers can resonate with this strong emotional moment of a grieving mother and reflect on one of the darkest moments in history, while also knowing the story does not end there.

 

KC Christmas Beach, M&G summer art educator

 

Published 2023

Jacopo de Carolis

Madonna and Child with Angels

Jacopo de Carolis

Below the image, click play to listen.

M&G Collections Online

As we continue to make more works available online, survey some of the paintings and objects in M&G’s collection. Click on the images below to enjoy videos, articles, and audio stops.

 

The Dream of St. Peter: Roelandt Savery
Object of the Month: October 2024
The Coronation of the Virgin
Object of the Month: September 2024
Madonna and Child with Saints: Giacomo or Giulio Francia
St. Anthony of Padua: Giovanni Francesco Barbieri, called Il Guercino
Object of the Month: August 2024
Christ Coming Up Out of the Jordan: Benjamin West, P.R.A.
The Princes St. Basil and St. Constantine of Yaroslavl
Object of the Month: July 2024
The Last Judgment: Placido Costanzi
Object of the Month: June 2024
Salome with the Head of St. John the Baptist
Moses and Aaron before Pharaoh: Benjamin West, P.R.A.
Pietro Martire Neri: St. Jerome
The Young Christ
Object of the Month: May 2024
Object of the Month: April 2024
Picture Books of the Past: The Tribulation of Job
Mrs. Siddons as Lady Macbeth
Object of the Month: March 2024
Clay Tablet
Constantijn van Renesse (attr. to): Christ before Pilate
Object of the Month: February 2024
Bronze Pitcher
Object of the Month: January 2024
The Presentation of Christ in the Temple
Antiphonary
Object of the Month: December
Object of the Month: November 2023
Picture Books of the Past: Jacopo Robusti, called Il Tintoretto
Object of the Month: October 2023
Picture Books of the Past: Marietta Robusti
Carved Walnut Relief
Object of the Month: September 2023
Picture Books of the Past: Unknown Dutch
Jacopo de Carolis
Object of the Month: August 2023
Picture Books of the Past: Jusepe de Ribera, called Lo Spagnoletto
Rafael Govertsz. Camphuysen
Object of the Month: July 2023
Domenico Fiasella
Picture Books of the Past: Lorenzo di Bicci
Object of the Month: June 2023
Picture Books of the Past: Mattia Preti
St. Michael the Archangel Overcoming Satan
Object of the Month: May 2023
Picture Books of the Past: Bartolommeo Neroni
Holy Kinship
Picture Books of the Past: Gustave Doré
The Entry into Jerusalem
Object of the Month: April 2023
Object of the Month: March 2023
Christ before Pilate: Master of St. Severin
Giuseppe Bessi
Object of the Month: February 2023
Psuedo Pier Francesco Fiorentino
Picture Books of the Past: Master of Staffolo
Object of the Month: January 2023
Picture Books of the Past: Edwin Long
Object of the Month: December 2022
Picture Books of the Past: Pieter Fransz. de Grebber
Juan Sanchez, the Younger
Object of the Month: November 2022
Picture Books of the Past: Lorenzo di Niccolo di Martino
Denys Calvaert, called Dionisio Fiammingo
Object of the Month: October 2022
Picture Books of the Past: Unknown Follower of Paolo Caliari, called Paolo Veronese
Mario Balassi
Object of the Month: September 2022
Hebrew Demi Omer
Picture Books of the Past: Antonio del Castillo y Saavedra
Object of the Month: August 2022
Picture Books of the Past: Carlo Dolci
Cornelis Cornelisz. van Haarlem
Allegory on the Fall and Redemption of Man: Lucas Cranach, the Younger
Object of the Month: July 2022
Object of the Month: June 2022
Sébastien Bourdon
Madonna and Child with Saints: Niccolò di Pietro Gerini
Object of the Month: May 2022
Giovanni Coli and Filippo Gherardi
Object of the Month: April 2022
Whatsoever Things Are… Worthy of Praise: God the Father
Whatsoever Things Are… Worthy of Praise: King David Playing the Harp
Whatsoever Things Are… Excellent: Isaiah’s Lips Anointed with Fire
Whatsoever Things Are… Excellent: Mary Magdalene Turning from the World to Christ
Whatsoever Things Are… Commendable: The Tribulation of Job
Whatsoever Things Are… Commendable: Christ and the Roman Centurion
Whatsoever Things Are… Lovely: Christ Healing the Blind Man
Whatsoever Things Are… Lovely: The Heavenly Shepherd
Whatsoever Things Are… Pure: Christ Blessing
Whatsoever Things Are… Pure: The Risen Christ
Whatsoever Things Are… Just: Painted Crucifix
Whatsoever Things Are… Just: The Man of Sorrows
Whatsoever Things Are… Just: The Last Supper
Whatsoever Things Are… Just: Triumphal Entry
Whatsoever Things Are… Just: St. Michael the Archangel and St. Agnes
Whatsoever Things Are… Honorable: The Good Samaritan
Whatsoever Things Are… Honorable: Ananias Restores Sight to Saul
Whatsoever Things Are… True: Christ and the Samaritan Woman
Whatsoever Things Are… True: St. Paul
Antonio Checchi (called Guidaccio da Imola): The Coronation of the Virgin
Procession to Calvary
Object of the Month: March 2022
Jacopo Robusti (called Il Tintoretto): The Visit of the Queen of Sheba to Solomon
Torah Scroll
Object of the Month: February 2022
Rembrandt van Rijn (school of): Head of Christ
Gerrit van Honthorst
David de Haen: The Mocking of Christ
Object of the Month: January 2022
Scenes from the Life of Christ
Object of the Month: December 2021
Jan Boeckhorst: Adoration of the Magi
St. Nicholas, the Wonderworker
Object of the Month: November 2021
Jan Victors: Esther Accusing Haman
Eyre Crowe: Wittenberg, October 31, 1517
Object of the Month: October 2021
Reliquary Head of a Monk
Francesco Fracanzano: The Tribulation of Job
Object of the Month: September 2021
Object of the Month: August 2021
Giovanni Antonio Bazzi: Procession to Calvary
Object of the Month: July 2021
Ginevra Cantofoli
Michail Nicholaievich Molodeshin
Pompeo Batoni
Domenico Fiasella: The Flight into Egypt
Object of the Month: June 2021
William Hamilton, R.A.
French Stained Glass: The Fountain of Life
Object of the Month: May 2021
Christ the Redeemer: Paris Bordone
Jan Gossaert, called Mabuse (attr. to)
Object of the Month: April 2021
Madonna and Child: Master of the Greenville Tondo
Rembrandt Harmensz. van Rijn (school of)
Object of the Month: March 2021
John the Baptist: Polychromed Sculpture
Louis XVI Musical Mantel Clock
Object of the Month: February 2021
Gaspar de Crayer: St. Augustine & St. Ambrose
Peter Paul Rubens (follower of)
Edwin Long: Vashti Refuses the King’s Summons
Object of the Month: January 2021
Jacopo Robusti, called Il Tintoretto
Louis Comfort Tiffany: Inspiration
Object of the Month: December 2020
Two Angels with Banner
Govaert Flinck: Solomon’s Prayer for Wisdom
Object of the Month: November 2020
Domenico Zampieri, called Il Domenichino
Simon Vouet: Salome with the Head of John the Baptist
Object of the Month: October 2020
Object of the Month: September 2020
Francesco Granacci: Rest on the Flight into Egypt
Bartolomé Esteban Murillo
Object of the Month: August 2020
Frederic James Shields: The Pre-Raphaelites
Alessandro di Mariano Filipepi, called Sandro Botticelli (and studio): Madonna and Child with an Angel
Louis Comfort Tiffany
Jusepe de Ribera: Ecce Homo
Gustave Doré: Christ Leaving the Praetorium
Girolamo Della Robbia: Terracotta Busts
Mattia Preti: Christ Seats the Child in the Midst of the Disciples
Peter Paul Rubens: Christ on the Cross
Cassone: Renaissance Marriage Chest
Francesco de Rosa: The Martyrdom of St. Lawrence
Guido Reni: The Four Evangelists
Geritt van Honthorst: The Holy Family in the Carpenter Shop
Francois de Troy: Christ and the Samaritan Woman
Francesco Cavazzoni: Legend of the Finding of the True Cross
Giovanni Filippo Criscuolo (attr. to): The Last Judgment
Stefano Cernotto (attr. to): The Last Supper
Salvator Rosa: Landscape with the Baptism of Christ
Domenico Zampieri: St. John the Evangelist
Jaun de Flandes: St. Augustine and St.Roch
Jan Hermansz. van Bijlert: Mary Magdalene Turning from the World to Christ
Anthony van Dyck: Mother of Sorrows (Mater Dolorosa)
Jan Swart van Groningen: Nativity Triptych
Jan Gossaert: The Madonna of the Fireplace
Northern Mannerism: The Martyrdom of Peter
Marietta Robusti: Allegory of Wisdom
Philippe de Champaigne: The Christ of Derision
Antonio del Castillo y Saavedra: St. John the Baptist in the Wilderness
Benjamin West, P.R.A.
Object of the Month: July 2020
Carlo Francesco Nuvolone
Object of the Month: June 2020
Carlo Dolci
Object of the Month: May 2020
Object of the Month: April 2020
Vasiliy Fedotovich Il’in
Object of the Month: March 2020
Edwin Long, R. A.
Object of the Month: February 2020
Hezekiah Tapestry Series
Object of the Month: January 2020
Master of the Borghese Tondo
Object of the Month: December 2019
John Koch
Object of the Month: November 2019
Bone Casket
Object of the Month: October 2019
Rutilio di Lorenzo Manetti
Object of the Month: September 2019
Richard Houston (engraver)
Object of the Month: August 2019
Object of the Month: July 2019
Salvator Rosa
Object of the Month: June 2019
Pietro Novelli
Object of the Month: May 2019
Johann Friedrich Overbeck
Benjamin West, P. R. A.
Object of the Month: March 2019
Gaspar de Crayer
Object of the Month: February 2019
Lucas Cranach, the Younger
Object of the Month: January 2019
Object of the Month: December 2018
Frans Francken, the Younger
Object of the Month: November 2018
Object of the Month: October 2018
Eyre Crowe
Gustave Doré
Object of the Month: September 2018
Niccolò di Pietro Gerini
Object of the Month: August 2018
Object of the Month: July 2018
Edward Matthew Ward, R.A.
Object of the Month: June 2018
Object of the Month: May 2018
Object of the Month: April 2018
Object of the Month: March 2018
Object of the Month: February 2018
Object of the Month: January 2018
Object of the Month: December 2017
Object of the Month: November 2017
Object of the Month: October 2017
Object of the Month: September 2017
Object of the Month: August 2017
Object of the Month: July 2017
Object of the Month: June 2017
Object of the Month: May 2017
Object of the Month: April 2017
Object of the Month: March 2017
Object of the Month: February 2017
Object of the Month: January 2017
Object of the Month: December 2016
Object of the Month: November 2016
Object of the Month: October 2016
Object of the Month: August 2016
Object of the Month: July 2016
Object of the Month: June 2016
Object of the Month: May 2016
Object of the Month: April 2016
Object of the Month: February 2016
Object of the Month: January 2016
Object of the Month: December 2015
Object of the Month: November 2015
Object of the Month: October 2015
Object of the Month: September 2015
Object of the Month: August 2015
Object of the Month: July 2015
Object of the Month: June 2015
Object of the Month: May 2015
Object of the Month: April 2015
Object of the Month: March 2015
Object of the Month: February 2015
Object of the Month: December 2014
Object of the Month: November 2014
Object of the Month: October 2014
Object of the Month: September 2014
Object of the Month: August 2014
Object of the Month: June 2014
Object of the Month: May 2014
Object of the Month: April 2014
Object of the Month: March 2014
Object of the Month: February 2014
Object of the Month: January 2014
Object of the Month: December 2013
Object of the Month: November 2013
Object of the Month: October 2013
Object of the Month: September 2013
Object of the Month: August 2013
Object of the Month: July 2013
Object of the Month: June 2013
Object of the Month: May 2013
Object of the Month: April 2013
Object of the Month: March 2013
Object of the Month: February 2013

Picture Books of the Past: Jusepe de Ribera, called Lo Spagnoletto

Enjoy this series of segments highlighting Picture Books of the Past: Reading Old Master Paintings, a loan exhibition of 60+ works from the M&G collection. The exhibit has traveled to The Museum of the Bible in Washington, D.C. and the Orlando Museum of Art in Florida.

This work by Jusepe de Ribera is one of the most compelling portraits of Christ of the 16th century. (Following your video viewing click HERE to access the additional information provided on the exhibition’s text panels.)

Object of the Month: January 2023

St. Sebastian

Oil on panel, c. 1529–30

Andrea d’Agnolo, called del Sarto (studio of)

Florentine, 1486–1530

Andrea d’Agnolo grew up in Florence and was nicknamed del Sarto meaning “of the tailor” after his father’s profession. Like other early Renaissance artists, he initially trained with a goldsmith, then studied under a series of three separate painters until he began producing his own works in 1506. He spent most of his life in Florence—except for a visit to Rome and a brief stint as court painter to King François I at Fontainebleau in 1518.

As the son of a tailor, del Sarto’s works reveal a unique understanding and love of fabrics—even seen in his 1517-1518 Portrait of a Young Man in London’s National Gallery, which may be a self-portrait (on right). Notice the finishes of the puffed sleeve, ruched white undershirt, and the vest’s seam at the shoulder.

Andrea was also influenced by his contemporaries who outlived him: Leonardo da Vinci, Michelangelo, and Raphael. Once these masters left Florence for other parts of Italy, Andrea became Florence’s leading artist in the early 1500s. He is overlooked in art history; yet he is equal in skill and quality to the three greats, and his works are beautiful and still revered today. Julian Brooks, curator of drawings at the Getty, recognizes del Sarto as the “revolutionary engine of the Renaissance and the transformer of draughtsmanship” due to his careful and creative preparatory drawings, a practice which inspired the next generations of artists to follow.

However, he has been underappreciated, even to the point of his students overshadowing him to become famous including Rosso Fiorentino, Jacopo da Pontormo, and Giorgio Vasari, biographer of contemporary Renaissance artists. Vasari records details about his teacher as related to M&G’s work. A Florentine charitable organization for plague victims, the Company of St. Sebastian commissioned Andrea del Sarto to paint a picture of St. Sebastian, the patron saint for plague victims. He became a member of the Company in February 1529, perhaps as a result of negotiations surrounding the commission. Ironically, shortly after completing the painting in 1530 during Florence’s plague epidemic, del Sarto died from the plague at 44 years old.

Several 17th-century documents list the original St. Sebastian as the property of the Company of St. Sebastian. Publications in 1759 and 1770 mention that the painting moved to the Pitti Palace in Florence. By the early 19th century, writers could no longer trace the location of the original painting—apparently it was removed from the Pitti Palace and lost.

M&G acquired St. Sebastian in 1970 from the former great British collection of the Cook family. In 2005, the National Gallery of Canada requested St. Sebastian to participate in an exhibition, and we sent our work in advance for study and conservation. The conservator Stephen Gritt found, “In its materials and construction, the painting is entirely consistent with one from Sarto’s workshop. The complete absence of any change in the design from the drawing stage on the panel through to the painting would indicate perhaps that the design had reached a point of satisfactory refinement by the time this version was produced. While this may mean that some artist other than Sarto could have painted the work, it does not exclude his participation in its production as a supervisor.”

Regarding del Sarto’s workshop practice, Julian Brooks notes that “Andrea would have been closely involved in the production of all versions, or at least those produced in his workshop during his lifetime, and these were produced side by side in the studio.” He also made, used, and reused partial cartoons.

It is difficult to confidently confirm if M&G’s St. Sebastian is the missing painting by the master, thus the current attribution, studio of Andrea del Sarto. At the least, someone very close to del Sarto painted the work. Found in Italy, Spain, England, and Austria, more than 10 other variants of the St. Sebastian exist. Even so, M&G’s is considered by specialists as the “best surviving reflection of the original.”

 

Erin R. Jones, Executive Director

 

Resources:

 

Published 2023

 

Sébastien Bourdon

Hiding of Moses

Sébastien Bourdon

Below the image, click play to listen.

Whatsoever Things Are… Excellent: Mary Magdalene Turning from the World to Christ

 

Mary Magdalene is one of the most intriguing figures in Scripture, and her life story is as apropos today as it was when it was first recorded in Scripture.

 

Visit HERE for the next video to think on things that are Excellent.

Antonio Checchi (called Guidaccio da Imola): The Coronation of the Virgin

This is the only signed picture by this early Italian master. It also includes 55 faces!